︎︎︎

Spring 2026
Contents


Letter from the Editors
︎︎︎v.1 team


I Don’t Know Which Branch the Dragonfly Will Alight on
︎︎︎Yinan Jang


Mind The Rhythm
︎︎︎Lane Bynum


Note Us HERE
︎︎︎Heidi Lin, Sarkis Antonyan


The Shapes of Curiosity

︎︎︎Brenna Bruggerman


Space and Queerness in Jakarta
︎︎︎Sondre Siddhartha


LOVE! PEACE! DOVE!
︎︎︎Jiho Kim


Claudine: A One-Star Review ︎︎︎Julæ Lynn-Tanning


Hot Horse
︎︎︎ Katie Kim


Global Arts, Science, and Cross-Cultural Understanding in Provencal France
︎︎︎Olivier Mbabazi


Archive Seizure


︎︎︎Christina Young

The Ineffable: A Narrative on Sound, Language, and Life


︎︎︎Obenewaa Frimpomaa

The Possibility of a Black Refuge


︎︎︎Carolyn Theresa Nakawungu Batabye

Prosperity


︎︎︎Victoria Pépin

THREEFOLD, three-stemmed, Thrice


︎︎︎Anjali Gauld

Anatomy of the Cram Invaders


︎︎︎Ryan Scott

Reflections from the Wonder Wheel


︎︎︎Alix Stseryna

“This Existed Before Us, This Is Gonna Exist After Us” Solace and
the Third Black Biennial


︎︎︎Henry Ding, Selim Kutlu

Adaptions


︎︎︎Jenna Jean-Barnard


Waking Up the Interiority


︎︎︎Viraj Mithani


Trickster Figure


︎︎︎Meri Sanders

Dream Journal


︎︎︎Jiaxin Jiang


In Wearing Out


︎︎︎Annie Robertson


Honeymoon


︎︎︎Joaquin Godines

How To Make the Earth Move


︎︎︎Sam Ngai

How to Fix Things


︎︎︎Samantha Toeman

Writing to a Leaf


︎︎︎Stephanie Van Riet


Spring 2026

—Letter From the Editors

Dear past v.1,

You’re not going to believe it. Honestly, there were moments when we didn’t either. But answers rarely show up the way you expect them to. What started as a search for something clear slowly turned into learning how to sit with uncertainty. Over this year-long journey into nature’s publication—and the nature of publication itself—we found that not knowing where something is going is not the same as being lost.

We asked our contributors to take the corners of publication, to stretch them apart and see what shapes might unfold. We recieved work whose rhythms moved from image to poetry to prose, each searching for what it wants to say: reimagined essays, reflections on trees in all their glory, and, for the first time, illustrated comics. By treating format as a question rather than a constraint, we begin to wonder if it was ever a container at all. It shifts with our own unfolding—experiences, desires, and all that we thought we could not say out loud—into the page’s columns. Like pollen finding new geometries of flight, v.1’s words alighted on gallery walls, radio waves, recycled paper pulp, and a nonsequential constellation of posters.

It is from this outpour that our new “Special Projects” came to be—a booklet of artist statements, a laser-cut compendium of Loop Lab projects, spotted lanternfly tattoos—and we displayed them all, along with eleven years of v.1’s archives and artworks sprung from our pages. In an exhibition succintly called “. , ...” (a.k.a. Period Comma Ellipses).

Sincerely,
v.1‘s editors and designers


Mark

I Don’t Know Which Branch the Dragonfly Will Alight on


Yinan Jiang
BFA SC 2027




I. I Don’t Know Which Branch the Dragonfly Will Alight On



The sun has scorched all tears dry,

burning, stinging.

Fearful of the coming summer, the damp air clutches my stomach. The astringent bitterness of cobblestones, the muddy fishy scent by the pond, stirring silvery purple nerves,

tickling helplessly, rushing into the nostrils.




Never having known, never ceasing

I don’t know which branch the dragonfly will alight on.




我不知道蜻蜓會停在哪個枝頭

太陽烤乾了所有的淚水,

灼燒著,刺痛著。

對即將到來的夏天感到恐懼,潮濕的空氣抓住我的胃袋,鵝卵石髮澀的苦味,池塘邊混合著泥沙的

魚腥味,挑動著銀紫色的神經,搔癢著,無可奈何地湧入鼻腔。




不曾知曉,不曾停歇

我不知道蜻蜓會停在哪個枝頭。


 
II. Raw Throat



As feelings pile up with nowhere to go, nothing left but the overpowering urge to blow them out through tobacco.




Then the smell that clings to my clothes afterwards, the scratch in my throat, my contact lenses gone dry.




Out tomorrow is that moment when we lie down on the cold, grey marble floor and gaze at the sky.




發澀的喉嚨

積攢了一些無可去處的情緒的時候,只有這股強烈的,無可奈何的慾望想要借助煙草將之呼出。然後是附著在衣物上的餘味,
發澀的喉嚨,乾涸的隱形眼鏡,




我們的明天是在生硬的大理石地板躺下望向天空的那一刻。




III. Please Become a Part of My Heartbeat




This urge I have resurfaces at each year’s end, to dig out Notes of a Crocodile and read it over and over again. It probably has something to do with my own recent entanglements with love. I don’t know how you’re meant to love someone. I love, but my heart isn’t beating. Am I just in love with being loved? My confusion reflects the relationships I let slip through the cracks. I couldn’t hold them right. A vague, inexplicable pride deafens me, just to feed my own vanity, and I couldn’t hear the deepest voice inside me anymore.




…我並不愛你。




I hold someone else’s precious, heavy feelings that weigh me down, right here in New York. The past six months feel like something scooped out another chunk of my memory. I’ve forgotten so much. Forgot that flickering feeling. Forgot myself. Can’t remember why I turned love away. Can’t remember why I walked away from it. Can’t remember when I stopped caring. Lost relationships, over and over, became short blades. Something tied a thread to each hilt and gave a sharp tug, driving them into me. As long as I stayed perfectly still, they didn’t sting. I watched this blade take root in my flesh, but the blood didn’t taste like anything. I let myself collapse in it, staring at the ground.




All of it, all of it came down to that one choice back then. And if none of this was my fault? If I just blamed someone else now, would I finally be free? That’s just a cowardly way to dodge responsibility. Back then, I definitely lost something. Something I can’t quite put into words. I dragged myself through a dim autumn in that disgrace. On a drizzly evening, without saying goodbye to anyone, I hastily packed a bag and got on a plane, leaving that land just before the snow covered everything.




Maybe it’s only now, recovering a little, that I can finally lick these old wounds clean. Writing this down, honestly.

If you ask me, did I ever take those blades out? The answer is no. I was obsessed with picking them out before: Out with the old, in with the new. But they’re still here.
They’re a part of me now.




請化為我心臟跳動的一部分。




Finishing Notes of a Crocodile one moment, then stumbling right into the aftermath the next. It was like finding a sequel to a series I thought had ended long ago. I read on greedily, hungry for what came next. I kept wanting to write something. Certain parts resonated with me, always pulling me back to those high school years when I was most steeped in literature. Looking back now, standing at the edge of that literary world, I remember how a friend of mine gave a tug, and we both tumbled into the swamp together. Clutching that vanity of reading obscure books, I bought Notes of a Crocodile and Last Words from Montmartre one after the other. The writing was so intense that it was almost manic, burning me and leaving me speechless. Back then, I didn’t have that kind of awareness. But I was mesmerized by it all the same.




How could someone bear their entire self like that in words? So beautiful … and she was in so much pain, too.




Writing all this, I realize I haven’t even touched on what I initially
set out to write. The words just took me somewhere else as I was putting them down.





Yinan Jiang is rebuilding... 
Mark

Mind the Rhythm


Lane Bynum
BFA PT 2027



Content warning: This story contains mention of graphic violence, blood, eating disorders, and self harm.


I’ve been trying on an unfamiliar sort of calm. When the walk sign is lit up across the crosswalk and I’m half a block away but it will change before I can cross if

I do not hurry, I try not to quicken my

steps. Breathe. It’s okay. It will change, and then it will change again, and maybe you will make it, and if you don’t make

it you will have a minute to stand on

the sidewalk and breathe. And maybe

that will be good for me.




I’ve been trying to sit in comfortable silence with the person I’m dating, or

not dating, but seeing, and I try not to wonder what the difference is. I try not

to think about how maybe I am not as smart or funny or interesting as the other

people he has dated, or seen, and I try not to care when he tells me a story

about one of the girls he has seen, and

he can’t remember her name because he’s seen so many people before me and will see so many more people after me.

I try not to care when he calls me my

best friend’s name as he reassures me, “No, I’m not interested in her, and there

is nothing to worry about. I promise.” I

try to be a grown-up for him.




I try not to dwell on the fact that when he does compliment me, which he does often, it is always, “How pretty you are, how sexy, such a good girl,” and it is

never about how I talk, how I think, how

I breathe.




I’ve been trying to eat more, three meals

a day, a foreign concept. I try not to feel

a sadistic sort of pride in myself when

I begin to shake and feel very dizzy after I’ve skipped breakfast, and lunch, and dinner, and the breakfast after that.




I try not to lift my sanitized hands or the tips of sharpies to my nose for the sweet burning smell.




I do not scream when I slice deep into

my finger as I am cutting up celery, and did you know celery has almost zero calories, and that it takes so much energy to chew that you actually burn calories just by eating it? I do not call anyone or tell anyone or go to the doctor because really, it is no one’s problem but my own and it should get better with some Band-Aids and time.




The fresh blood on the kitchen tiles blends into the months-old stain of

gas station wine, and I decide that

there is no point in cleaning it up. After

a few days I no longer register it when

I walk into the kitchen, which I rarely

do anyways.




When I come home to the smoke alarm

in my apartment chirping every thirty

seconds, shrill and penetrating, I do try

to replace the batteries. I drag a table

over and climb on top, stand on my tiptoes and try to reach up and grab it. When only my fingertips can graze the plastic, and I am beginning to feel faint from the standing and stretching, I climb off of the table. I learn to live with the sound. I let it ring until it no longer registers, let it fade to the back of my skull where it thrums, dull and constant.




I try not to worry when it’s been a week and my finger is still swollen, oozing pus and starting to smell sour, and the weak pulse of pain becomes angrier and more persistent.




I try not to worry when there are layoffs

at the deli where I work, and my boss tells me my hours will be cut in half. I try not to think about the bills piling up on my coffee table, how they now come through marked URGENT in big red letters. Instead, I think of the dandelion seed I saw floating in the wind that morning, diving and soaring for minutes before settling softly on the pavement: Wasn’t that so pretty?

A good luck charm from the universe saying everything will be okay in the end, and if it isn’t, it’s not the end?




When I cannot take the pain any longer, and eventually do go to the doctor, and they tell me “I’m so sorry, you’re going

to lose the finger, and why didn’t you come to us sooner?” I try not to worry.




Instead, I think about the wording “lose the finger” which is a delicate way to

say, “We are going to perform a surgery where we sedate you and cut off your finger with a very sharp blade.” I try not

to worry about how my lost finger was

my left ring finger and if I ever get en- gaged, which seems impossible now that the boy I was seeing is now seeing someone else who is smarter and more interesting and funnier than me, but if I

do get engaged, where will my ring go?




I think about something I saw on a boy’s computer once, a piece of tape that he had written the words “mind the rhythm” on in bold sharpie, and I wonder what

that means. I try to mind the rhythm.




When I slam the middle and pointer fin- ger of my right hand in a car door, and I wake up to them purple and doubled in size, I do not call anyone, I do not tell anyone, and I do not go to the doctor.




I start ignoring the phone when it rings. Picking it up and sandwiching it between my shoulder and ear while I speak is too much work, and besides, I have one-hundred and six episodes of Jeopardy saved on my DVR, and it isn’t going to watch itself. The phone rings twice a day, once a day, once a week, and then not at all.




When the blade of my bagel guillotine slicer slams down and slices the top of my right ring finger as I am trying to adjust the bagel, I do not call anyone,

I do not tell anyone, and I do not go to

the doctor. I wrap it in Band-Aids, and think about being sixteen, and the morning my friend’s mother showed me how to use a guillotine bagel slicer. I think about how I had tried mushrooms for the first time the night before, how I was still a little bit high and how everything still felt a little bit magical. I think about how that friend was sent away to rehab a few months later, and how her mother died a few months after that. I think about the funeral, how the friend had been given two days to grieve before she was sent back, and how that was the last time I ever saw her. I wonder if she is still in rehab, and if I will ever see her again, and I think of her kind mother, who I will never see again.




The trees start getting their leaves back, and it is unseasonably warm. I wrench open the small window of my bedroom, but I am slow to prop it up with a book, and it crashes quick onto my thumbs. I watch them crackle and twist, and I sit with my pink balloon hands. I look out the window at the town house across the street.




I take some time before yanking them out. I watch the old man who lives in the house struggle to carry his groceries up the steps to his front door. I am very fond of the man, and though we have never spoken I often daydream long conversations between the two of us. It is clear to me that he does not have a wife, or children, or grandchildren, because he leaves and returns to the house alone, and his groceries are only enough for one. Because I am generous, I give him a wife in these daydreams, and two children who call him three times a week. He and his wife have been married many years, but their love has not faded with time as it often does. We have a long conversation while I am standing in the window, and I tell him about my troubles at work. He assures

me that everything will work out, that there are plenty of jobs I am well suited for and it will be easy to find another.

He tells me that his youngest daughter just gave birth to her first baby, a boy,

and that he came out healthy. “Nine pounds!” he says. I do not know if nine pounds is small or big for a baby, but still

I smile and congratulate him. “Nine Pounds! You must be so proud.” He is.




With my hours cut I feel out of practice

at the deli, and it is harder now to separate the swiss cheese slices with so many fingers bandaged. When I am cutting

turkey on the meat slicer, and I sever my left pinky finger nearly clean off, and it dangles limply towards the floor, held

on only by a thin piece of skin, I am not surprised. I think of the inevitability of it all, how embarrassing it is to fall victim

to cliche. A finger lost to a meat slicer. How novel.




I worry not for my finger, but the new cut of turkey stained with my blood that must be thrown away. I think surely I will be fired. This time, I cannot avoid the doctor. A coworker shrieks at the sight of my blood, which is, I think, an overreaction. My coworker suffers from dramatic tendencies. She will not stop talking until I am in her car on the way to the doctor’s office.




The doctor is more frantic now when he inspects my hands and their many bandages. “Why didn’t you see me sooner? How could you let this go on so long? What were you thinking? What. Were. You. Thinking?” I wish he would calm down. They are not his fingers, and it is none of his business, really. When the doctor says,“There is only one thing we can do. It’s your lucky day. We have a pair of fresh hands that have just come in from the morgue, and even though they’re not a perfect color match, we could remove your hands, what little there is left of them, and sew the new ones right on with only a few minor operations.” I tell him, “No, thank you. That sounds like quite a lot of work, and I’ve become accustomed to life with fewer fingers, and surely that will translate to life with only two fingers.” He becomes very angry with me, which I feel is entirely unprofessional, and after a minute or so of his protestations, “Why not try?

We can give you brand-spanking-new top of the line hands, and you…” I have already stopped listening. I am listening to the crinkle of parchment paper underneath me, and enjoying the cool air from the

ceiling fan hitting the part of my back exposed by my hospital gown. I wonder why they gave me a hospital gown and insisted I change, when they are only looking at my hands.




When my ninth finger, my left index, is bitten off by a Rottweiler and the owner says, “Sorry, so sorry, please do not take me to small claims court and please do not tell animal control, I have nothing except for Daisy, my precious Rottweiler, my princess, and if she is taken away I will die,” I watch her sob and think of my coworker, how both of their faces crumple and turn very red when they sob, and how embarrassing it is to look so terribly ugly. I try not to think about how unbalanced my hands feel now, one pinky on the right hand and nothing on the other. I try not to think about how no fingers is probably better than just one finger. When I stop trying, I grab a kitchen knife with my mouth, and drop it onto my pinky. My aim is perfect, and the knife passes cleanly through bone before clattering onto the counter top.




My final finger lands on the floor and rolls to the same spot where the first finger fell so long ago. It looks like a baby carrot, lying on the blood-wine stained tile, and I think about how my mother used to give me baby carrots and ketchup and a teacup full of frozen blueberries when I got home from school. I add up the calories in a handful of baby carrots and one serving of ketchup and one teacup of frozen blueberries. Only one-hundred and seven. When blood continues gushing from the wound, I try not to notice how there is more than usual, how, actually it is quite a lot of blood, and maybe one finger would have been better than none after all. When my head is TV static and I begin to fall, I try not to think about how there is no one to catch me, and how if I hit the ground I might never get back up, and how there

is nobody to let themselves into my apartment and wave smelling salts under my nose and wake me and hold me and tell me everything will be okay. I try not to think about any of those things. I try to mind the rhythm.





Lane Bynum is terrible at minding the rhythm. 
Mark

Note Us Here / Poetic Projections


Heidi Lin
BFA INTAR 2027

Sarkis Antonyan
BRDD INTAR 2027


Note Us HERE is a performance installation that attempts to re-scale the intimate experience of writing in an iPhone’s Notes app, rendering the headspace into a spatial dreamscape. It captures the body’s dissociation, its inability to interact with the mind’s outpour. Two performers—Lin and Antonyan—struggle in their interior and exterior worlds as their surroundings pulse with externalized thoughts, radiating in melancholy. Situated on both sides of an architectural façade, the performers imagine streams of poetic fragments lifting from their fingers and casting simultaneously across a bedroom and a portion of Providence,
colliding within a central window.

The cheeky and unabashed enlargement of a pocket-sized language asks viewers to reconsider their access to others’ digital and mental worlds, hearkening back to the alleged accessibility of other forms of urban text like street signage and billboards.
The project, unfolding across video, performance, and zine, asks: What is frustrating about writerly release? How can we reach true bodily kinship with any given digital or even built space? What are the stakes in scaling language in an already composed, geometrically defined world?


The work is the meaning.

The space is the intention.

The room is the arbiter.

The mattress is the vessel.

The phone is the window.

Speak now or forever voyeur

me through your shattered screen our glowing windows.

Bunny pulsates against a TV

Destiny heavy against a heartbeat Lined with volumetric tack

Dirty

                                                                                     slick


Porcelain plates toss into waste bins

Pins inject long-dried membranes. If I

had to ask it’s not the same. I couldn’t

even if I wanted to.

In your room there was a twin-sized bed.

We shared it as lovers.

In foreign places I sleep alone

on queen sized mattresses.

Chiffon rippling through windows I

wonder if I opened them you’d see the

migraine I wear like a halo.




Yea heard ur

a tourist u should come

by for a room tour.



Yea saw you peeking

yea u shud come say hello.




Glitching neon and dewy cheeks

blunt and sweaty

slithering out of cavities.

I have this problem where I pursue people until

they love me. When they do I realize I don’t love

them back.

When I’m home I’m bedridden for four days. The

itch that once gnawed the back of my throat has

unfurled into an atrocity. It’s a kind of masochism

I think I deserve.


—Heidi Lin



Let its dictionary die peacefully, I say to my interior.




Negative ions scramble up the throat like

tantrums.

I read it all, abbreviations, tiny faces, times,

whens: so far.




And finally haikus come out of my eyes.




This deprivation has been happening since

SIXTH GRADE.

polar activities blanched broken shifting




waggling arms let the boys hold me




All I wanted was to say something.




Etch it, you frail, damp gill.

Coming comiing comibg cmiingg incoming

gicmiing




Coming to the phone baby my baby




Coming into the throat of my phone




Coming to my phone like a caveman




Coming to my phone to write the heart




Do you come to your phone like I do




Do you want to see my phone




Do you want to open it




Do you want to want




Do you want




—Sarkis Antonyan





Sarkis Antonyan wants to throw his cellular device in the water.
Heidi Lin takes a picture of a pigeon.
Mark