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Spring 2023
(2015-2016)
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From the Editors
︎︎︎v.1 team
Five Days a Week: A Call for Student-Citizens
︎︎︎Ala Tannir
How Do You Assert Authorship in Your Work?
︎︎︎Emily Grego
The Paper Trail
︎︎︎Jillian Suzanne
Ledger of Likes: Instagram and Art School
︎︎︎Paul Rouphail
Archives and Aloo Parathas : The Punjabi Deli
︎︎︎Jagdeep Raina
Reverberations
︎︎︎Diane Lee
Noise is Always Safe
︎︎︎Drew Litowitz and Edek Sher
ROI: Return on Investment
︎︎︎Mary Yang
Henry’s Feed
︎︎︎Tristram Lansdowne
Prisoner’s Cinema
︎︎︎Nick Missel and Thalassa Raasch
Embodied Imaginary : From Gendered Bodies in Virtual Spaces to Powerful Bodies in a Physical World
︎︎︎Maggie Hazen
Tales From the Critkeeper : Allegories of “Constructive” Criticism
︎︎︎Rosalind Breen
Art Comedy
︎︎︎Chris Goodale
Three Days in Venice
︎︎︎Lisa J. Maione
Are You Ready for an Inderdisciplinary Program?
︎︎︎Feiyi Bie
Thoughts on Black Mountain College
︎︎︎Sakura Kelley and Daniel Morgan
On Supports and Surfaces , a Q&A With Saul Ostrow
︎︎︎Hannah Bigeleisen
Huginn & Muninn
︎︎︎Caleb Churchill
Scraps From The Rabbithole : Incomplete Reflections on the Problem of the Canon and the Role of The Critical Designer
︎︎︎Melissa Weiss
GS | Grants Research 2015
︎︎︎Over the Transom, Thalassa Raasch, Emily Winter, AmandaPickens, and Henry F. Brown, Kenneth Fontaine, and Julia Samuels
Claiming the Visual Culture of Global Commerce
︎︎︎James Chae
Extra Credit
︎︎︎Maggie Hazen and Tristram Lansdowne
Notes: Carolee Schneemannin Real Time
︎︎︎Anne West
We Demand
︎︎︎Black Artists and Designers (BAAD),with student and faculty allies
Rending the Mythic Gate
︎︎︎Reya Sehgal